Thomas Brett
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Some Observations On Atoms For Peace’s “Unless”
Thom Yorke’s musical project, Atoms For Peace, brought together a number of fine musicians to jam out and record rhythmically propulsive grooves which Yorke and the producer Nigel Godrich then edited together. The result, AMOK, is a lean, hybrid acoustic-electronic work that has been described in The Guardian as “surprisingly accessible for one so extensively… Continue reading
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On Musical Invention, Sound And Process: “Bladelores” From Autechre’s Exai
No one is quite sure how the UK duo Autechre make their electronic music. Sure, they use software and computers, they program, they use hardware synths and drum machines and samplers, they improvise, they code, they make beats, they tweak, but we really don’t know how they work. Not only is the group’s musical sum… Continue reading
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On The Strange Poetics Of Spam
For some reason, lately my blog inbox has been inundated with spam. (I’ve written previously about spam here.) My irritation swiftly turned to anger at the sheer automated idiocy of it. Where is all this stuff, all this fake human fakery coming from? How is it generated and who is profiting from it? And I… Continue reading
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On Another Kind Of Wonder
My new recording, Another Kind Of Wonder, is available now. Here is the first track, “Splash”: The recording is available at cdbaby. Continue reading
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On Pantha Du Prince And Bell Laboratory’s Elements Of Light
“I think techno music at the moment is just an infrastructure. Basically, it’s not a musical term anymore. It used to be more like straight, technical funk. Nowadays, it is more of an infrastructure where you have certain beat patterns that you can call techno music. But in the end, it’s a social and economic infrastructure. The name… Continue reading
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On Timing And The Nature Of Blogging
Recently I’ve been experimenting with timers–using countdown apps on my phone to time whatever it is I’m working on. Lest you think I’m one of those people who are overly into the analytics of timing everything–I’m not (yet). No, I’m one of those people who generally loses track of time and looks up to marvel at… Continue reading
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Microthought: On Harold Budd’s “Bandits Of Stature”
I listened to the composer’s music solitary while riding the subway– not multitasking, not otherwise occupied. And so the thought came to occupy me, unfolding in slow phrases: What do we value in music? What of its values occupy us? What aural codes do we enjoy resonating with? As I listened to the composer’s music… Continue reading
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On A Not-Knowing Knowledge
The jazz guitarist John McLaughlin says that when he played with Miles Davis in the late 1960s, Davis gave him some advice before a recording session for In A Silent Way (1969): “Play like you don’t know how to play guitar.” McLaughlin, of course, went on to great heights of jazz-Indian music fusion with his… Continue reading
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Microthought: On Musical Process
Music. Music finds a way around us. Music, that subliminal force, finds a way around us, through our ears, into our hearts. Your Music might not be my Music, that subliminal force that finds a way around us, through our ears, into our hearts. If we traded musics, you and I, do we trade minds… Continue reading
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