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thinking through music


  • August 1, 2019

    Resonant Thoughts: Trevor Horn In “Pop Music-Creativity And Technology” (2003)

    “What’s really interesting these days for me is people’s idea of sound. We’ve got a whole new generation of musicians—people who, for instance, program a beat box without any experience of a real drummer. When we first got beat boxes, we tried to program them to do what a drummer would do. Nowadays people haven’t… Continue reading

    Resonant Thoughts, Uncategorized
  • July 31, 2019

    Brett’s Sound Picks: Olafur Arnald’s “they sink (TOKiMONSTA remix)

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    Brett’s Sound Picks, Uncategorized
  • July 30, 2019

    Art About Music: Thomas Brett’s “Marimbafied” (2019)

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    art about music, Uncategorized
  • July 29, 2019

    The Sonic Spell: Six Components Of Musical Enchantment

    enchantment—the state of being under a spell “Technical processes…are construed magically so that, by enchanting us, they make the products of these technical processes seem enchanted vessels of magical power.” – Alfred Gell, “The Technology of Enchantment and the Enchantment of Technology” in Anthropology, Art, and Aesthetics (1992), p. 46 For a while I’ve been… Continue reading

    enchantment, Uncategorized
  • July 25, 2019

    Ventrilo-Dialogue: A Conversation With A Subway Musician

    Subway Musician: People rarely pay attention when I’m playing music. Tom: Oh, okay, I guess we’ve already begun our conversation! SM: Everyone is always rushing by and no one has time for music. T: I would love to hear more about that. But first, thanks for taking the time to talk with me. SM: No… Continue reading

    Uncategorized, ventrilo-dialogue
  • July 24, 2019

    Brett’s Sound Picks” Joshua Sabin’s “Sutarti VI” (2019)

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    Brett’s Sound Picks, Uncategorized
  • July 23, 2019

    Art About Music: Everald Brown’s “Bush Have Ears” (1976)

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    art about music, Uncategorized
  • July 22, 2019

    On Musical Perspective, Depth, And Enchantment In A Mix

    While I’m not a visual listener (and definitely not a synesthetic one), I do think about mixes as a landscape that unfolds over time, as you, the listener, ride through it on your the vehicle (bicycle, scooter, car) that is your hearing, your perception, your taste. You notice so many things as the landscape wizzes… Continue reading

    enchantment, mixing, Uncategorized
  • July 18, 2019

    Action And Better Action

    Play a drum fill, withhold the fill. Resolve the chord, leave it hanging. Round out the mix, thin it. Try it again, use this first take. Introduce the section, get right to it. Build a composite, keep it stratified. Steady beat, fluctuating rhythm. Manage the mood, mix the emotions. The right way, what about this… Continue reading

    poetry, Uncategorized
  • July 17, 2019

    Brett’s Sound Picks: Earthen Sea’s “Window, Skin and Mirror” (2019)

      Brett’s Sound Picks 2019. Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

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