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brettworks

thinking through music


  • December 4, 2025

    Brett’s Sound Picks: Merely’s “Weightless Fugue” (2025)

    playlist 2025 Continue reading

    Brett’s Sound Picks
  • December 3, 2025

    Curating The Week: AI and Search, AI in Music, Perfectionism

    • An essay on AI and search. “There is a road that must be crossed, by Google and also by the rest of us. On one side is a digital world with its largely familiar structure, fuelled by familiar kinds of advertising, in many of whose forms Google excels. To make liveable whatever lies on… Continue reading

    Curating The Week
    AI, artificial-intelligence, music
  • December 2, 2025

    Resonant Thoughts: W. David Marx’s “Blank Space: A Cultural History of the Twenty-First Century” (2025)

    “The term paradigm, despite rampant overuse in marketing copy and mocked as meaningless jargon by The Simpsons, describes a specific phenomenon in social science: the macro-values that set the logic of our choices and aesthetics. When a new paradigm emerges, the previous established styles lose all their value” (123). “The logic of ultrapoptimism ultimately blessed… Continue reading

    Resonant Thoughts
  • December 1, 2025

    Fragments (Three Parts)

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    atelier
  • November 25, 2025

    Database: Claire Rousay On Looking For Activity Within The Waveforms

    “I’ll drag a file into Ableton to see it visually. I’m just looking for activity within the waveforms. Like, something happened here, because the signalling changed. There’s obviously a reason for that. I’m interested in that reason. Something is happening and I need to get it out. I guess that’s important to me.” Claire Rousay… Continue reading

    database
  • November 24, 2025

    Resonant Thoughts: Ben Ratliff’s “Run the Song: Writing About Running About Listening” (2025)

    “It occurred to me that there was a connection between the act of listening and the act of running, and I began to write from that point of connection” (24). “I am talking about running the song: a way to engage with the music’s forward patterns, its implications, its potential, its intention, and even its… Continue reading

    Resonant Thoughts
    music, writing
  • November 20, 2025

    Notes On An Autechre Concert, 2025

    If you’ve been following Autechre for years, on recordings and in performance, you may have realized that they’re evolving in ways you are not. You assume the comforts of steady beats, hummable melodies, verses leading to choruses, predictable instrumentation, and genre conventions while they’ve left music’s crowdsourced paths, wandering the wilds of their software, exploring.… Continue reading

    concert reviews
    music, reviews
  • November 18, 2025

    Splendors

    Continue reading

    Uncategorized
  • November 17, 2025

    Brett’s Sound Picks: Jeff Tweedy’s “One Tiny Flower” (2025)

    Continue reading

    Brett’s Sound Picks
  • November 14, 2025

    Cadences III (Remodels)

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    remodels, repetition
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • 8000 Studies
  • 7 August
  • Interior Jumble (Rhythm Remodel)
  • On Intuition and Technique
  • Curating The Week: Conducting, Thickness In Art, AI Jargon In Speech

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