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brettworks

thinking through music


  • January 8, 2026

    Resonant Thoughts: Molly Bang’s “Picture This” (1991/2016)

    “Pictures are two-dimensional, whereas we live in a three-dimensional space, with many more dimensions added by our passions and intelligence. When we translate or reform our multifaceted experience into this flat, rectangular format, we play with space” (100). “Space implies time” (108). “…cut paper makes us concentrate on structure, emotional clarity, gesture, and overall cohesion… Continue reading

    Resonant Thoughts
  • January 5, 2026

    Omni 96 bpm

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  • January 2, 2026

    Database: Tom Oberheim On Doing The Grey-Area Thing

    “First of all, you can’t simply design what the musician wants, because he or she may not know all the possibilities. And on the other hand, you can’t spend all your time only worrying about the oscillator drift and the power supply and all that. You have to do this gray-area thing.” – Tom Oberheim… Continue reading

    database
  • December 31, 2025

    Curating The Week: Artistic Toil, Aphoristic Intelligence, AI Slop, Reclaiming One’s Mind

    • An essay on artistic toil. “…instances of just how willing the great artists are to undergo tedious, repetitive, finger-cramping work—toil—in the service of their craft. In some of these examples, such as the stonework of a cathedral, there was a higher purpose to justify the toil. But often it seems that the artists engaged… Continue reading

    Curating The Week
    AI, art, artificial-intelligence, technology, writing
  • December 30, 2025

    Resonant Thoughts: Stuart Jeffries’ “Everything, All the Time, Everywhere: How We Became Postmodern (2021)

    “The Postmodern Condition was the result of a commission [Jean-François] Lyotard had accepted to write a report on the condition of knowledge for the Conseil des Universités of the government of Quebec, and his immediate worry was that universities were becoming corrupted by the unfettering of capitalism and the consequent reduction in the status of… Continue reading

    Resonant Thoughts
    AI, consciousness, history, philosophy, science
  • December 29, 2025

    Omni 103 bpm

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    Uncategorized
  • December 26, 2025

    15 December Study

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  • December 23, 2025

    Problems of Connection

    (Detail from Leonard da Vinci’s Portrait of a Musician, c. 1483-1487) Something I encounter almost daily in the omnimusical realm of music production is the problem of connecting with my instruments, by which I mean DAW software, virtual synthesizers and samplers, and keyboard controllers. I depend on these technologies to make some kinds of music,… Continue reading

    Uncategorized
    music, piano, technology
  • December 22, 2025

    21 December Study

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  • December 19, 2025

    Quanta

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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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