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brettworks

thinking through music


  • November 1, 2018

    Brett’s Sound Picks: Caterina Barbieri’s “SOTRS” (2017)

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    Brett’s Sound Picks, Uncategorized
  • October 31, 2018

    (YouTube Feed)

    I (fill in the blank)’d for one month, here’s what happened   Five things that are harder to do than (fill in the blank)  How to make (fill in the bank) sound like (fill in the blank)  Everything you need to know about (fill in the blank)  The ultimate (fill in the blank) workout   Ten tips for (fill in the blank)  How… Continue reading

    poetry, Uncategorized
  • October 30, 2018

    Art About Music: Zanobi Strozzi’s “The Madonna of Humility With Two Musician Angels” (c. 1448-1450)

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    art about music, Uncategorized
  • October 29, 2018

    On Drum Solos

    “With its vaudevillian connotations of entertainment, juggling, and showmanship, few participants relish the idea of a drum solo outside of some framing musical context, either in concert or for demonstration purposes. As expert practitioners, however, we are frequently called upon to supply just that at drum festivals and workshops.” – Bill Bruford, Uncharted: creativity and… Continue reading

    drum solos, Uncategorized
  • October 26, 2018

    Art About Music: Jan Steen’s “The Music Lesson” (c. 1650)

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    art about music, Uncategorized
  • October 25, 2018

    Piano Over Organ

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    Uncategorized
  • October 24, 2018

    Piano Over Organ

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    Uncategorized
  • October 23, 2018

    Piano Over Organ

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    Uncategorized
  • October 22, 2018

    Piano Over Organ

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    Uncategorized
  • October 19, 2018

    Piano Over Organ

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    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

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