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brettworks

thinking through music


  • August 23, 2018

    Resonant Thoughts: David Sumpter’s “Outnumbered” (2018)

    “Spotify’s genre system places all songs as a point in 13 dimensions, grouping together those close-by points as genres. The dimensions include objective musical properties such as ‘loudness’ and ‘beats per minute’, as well as more subjective emotional properties, such as ‘energy’, ‘valance’ (sadness) and ‘danceability’. These latter, subjective measurements are established through listening sessions,… Continue reading

    Resonant Thoughts, Spotify, Uncategorized
  • August 22, 2018

    Brett’s Sound Picks: Autechre’s “32a_reflected”

    (In “32a_reflected” tones hover, suspended, frequencies piercing at high altitudes, a swarm and hum drone growing into an almost tonal form that keeps resolving without identifiable chords. The tones feel like an ending but we don’t know when that ending will happen. The end will be without cadence, without melody, yet an idea can coalesce—a… Continue reading

    Brett’s Sound Picks, Uncategorized
  • August 21, 2018

    Art About Music: Heitor dos Prazeres’ “Roda de Samba (Samba Circle)” (1957)

    Continue reading

    art about music, Uncategorized
  • August 20, 2018

    Music Production Mindsets: Building Upon The Faintest Traces

    Beginning a new piece of music is the most exciting moment, as long you don’t get ahead of yourself, get bogged down in as yet unnecessary details, and instead stay focused on the task at hand. But what is this task, exactly? For me, it’s being on the lookout for something enchanting. The other day… Continue reading

    music production, Uncategorized
  • August 17, 2018

    Resonant Thoughts: Eric Hayot’s “The Elements Of Academic Style” (2014)

    “Writing is not the memorialization of ideas. Writing distillate, crafts, and pressure-tests ideas—it creates ideas…They emerge from a process, they represent their becoming, and that emergence, in their final form. Writing is therefore a kind of learning. Active writing should not involve saying things you already understand and know, but instead let you think new… Continue reading

    Resonant Thoughts, Uncategorized
  • August 16, 2018

    Iterations

    Foxes and dogs. The quick beats the lazy. Jumping over the fence. The jumping fox, the lazy dog. The fence and the dog beat laziness, quickly. Brown dogs, lazy foxes, jumping quick over the fence. The quick brown dog-fox jumps lazily. Quick—the lazy fox-dog jumps! The quick brown fox lazily jumps over the dog. The… Continue reading

    pangrams, poetry, Uncategorized
  • August 15, 2018

    Brett’s Sound Picks: Marisa Anderson’s “Pulse” (2018)

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    guitar, Uncategorized
  • August 14, 2018

    Art About Music: “Ragini Todi” (c. 1785 – 1790)

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    art about music, Uncategorized
  • August 13, 2018

    Managing Emotions and Swinging Freely In Creative Work

    I watch a fair amount of sports on TV, for reasons including ambient sound, commentators’ endless stats commentary, and because the outcome is always uncertain. (Sport competition gets interesting when it doesn’t go according to plan, which is the best narrative.) For these reasons, even with all the commercials in need of skipping through, sports… Continue reading

    creative strategies, sports analogies, Uncategorized
  • August 10, 2018

    Tech Life

    A head count— ten people around me all glued to their screens bodies here minds far way their tech spliting person from the personal less talking one on one without a phone a Recommend a Like a Retweet an LOL (no one laughs like that) social media lacks connection because there’s no algorithm for relating. Continue reading

    Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

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