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brettworks

thinking through music


  • June 11, 2018

    How Musics Learn

      In music, change of one type or another is what we listen for, what we crave as information-seeking beings. Change is what keeps us listening and interested: we listen for the moments when something happens, dramatic or subtle, when one state of affairs transforms into another. Change can happen extremely fast—from one chord becoming… Continue reading

    musical learning, Uncategorized
  • June 8, 2018

    Curating The Week: Autechre, Nyabinghi, CDs

    • A review of a set of new Autechre recordings. “It’s the visceral sound of machines powering down then quickly lurching back into motion. It’s that sense of perpetual rhythmic collapse, the feeling that entire songs are slipping out from under your feet. It’s gorgeous and terrifying and awe-inspiring and incomprehensible and frequently even funky—but… Continue reading

    Curating The Week, Uncategorized
  • June 7, 2018

    Music Waits

    It’s 5:28pm and I’ve done everything but work on the music which waits for guidance waits for me to fix it align its relations let its logic sing. Continue reading

    poetry, Uncategorized
  • June 6, 2018

    Brett’s Sound Picks: Giulio Aldinucci’s “Chrysalis” (2017)

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    Brett’s Sound Picks, Uncategorized
  • June 5, 2018

    Art About Music: Barnett Newman’s “The Song Of Orpheus” (1944-45)

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    art about music, Uncategorized
  • June 4, 2018

    Working Knowledge: Performing, Tinkering, Composing

    “Think dynamically.” – Nassim Taleb, Skin in the Game (2018) Somewhere around 2002 I began making electronic music on a computer in a kind of old-fashioned way because I didn’t know any better: using a MIDI keyboard, my goal was to physically play every sound myself, one part at a time. There were a few… Continue reading

    Uncategorized, working knowledge
  • June 1, 2018

    Lessons From Composing Music Adapted To Writing

    “So how did I learn to write? From listening to music. And what’s the most important thing in writing? It’s rhythm.” – Haruki Murakami Begin with something simple, even obvious, then complexify it to turn it into something else. From a single idea generate multiple parts and variations. Build a form, gradually, by introducing one… Continue reading

    music and writing lessons, Uncategorized
  • May 31, 2018

    Song On Sixth Avenue

    It happens to be raining the busking band playing the epic ballad four purple chords B flat sus 2 Gm7 F E flat a progression repeated the sax singing the melody blowing variations and now I hear how a song is sad when the chords keep falling. Continue reading

    poetry, Uncategorized
  • May 30, 2018

    Brett’s Sound Picks: Jon Hopkins’ “Feel First Life” (2018)

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    Brett’s Sound Picks, Uncategorized
  • May 29, 2018

    Art About Music: Anthonie Palamedes’s “Guardroom Scene” (1656)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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