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brettworks

thinking through music


  • August 23, 2017

    Art About Music: Wilhelm Carl August Zimmer’s “The Orchestra, Biergarten” (c. 1900)

    Continue reading

    art about music, Uncategorized
  • August 21, 2017

    Resonant Thoughts: “Tympanum of the Other Frog” In John Corbett’s “Microgroove”

    In the preface to his excellent book Microgrooves (2015), critic and musician John Corbett recounts listening to the sounds of frogs by a pond with his father when he was eight years old. Corbett’s dad told him to focus on the sound of one particular frog among the full chorus. “Now, he said, keeping that… Continue reading

    groovology, listening, pulseology, Resonant Thoughts, Uncategorized
  • August 18, 2017

    Working Knowledge: The Quieting Process

    The perceptual key to effective writing—words or music, it doesn’t matter—is getting into a space of concentration. I call this the Quieting process: a narrowing of attention where the present is felt as a fully enveloping perpetual now. Yesterday’s work is gone—you can barely recall it!—and tomorrow remains a question mark. You’re left with only… Continue reading

    concentration, Quiet, Uncategorized, working knowledge
  • August 17, 2017

    On Visual Resonances

    Golf Course, Zen Garden Cymbal, Water Wavelets Artwork (Piet Mondrian, “Composition with Grid IX”), Ableton Push Controller Continue reading

    Uncategorized, visual resonances
  • August 16, 2017

    Curating The Week: Ways of Hearing Podcast, Magic And Perception, Playing Chopin

    • A six-part podcast, Ways of Hearing. “Digital time is not lived time–it’s machine time.” • An article on how magic exploits the quirks of perception. “My team’s work reveals that the art of magic also relies on an analogous, but opposite grand illusion, in which we are blind to the prodigious clairvoyance of our… Continue reading

    Uncategorized
  • August 14, 2017

    Two Keys

    The thing to do says the artist, is to begin anywhere— so get going and make something up. That’s how it starts. But there are two keys to ongoingness. The first key is withholding judgment about your beginning, going and making. The second key is moving it forward by asking “Why not this?” over and… Continue reading

    conceptual keys, poetry, Uncategorized
  • August 13, 2017

    Art About Music: Jan Brueghel the Elder’s “The Senses of Hearing, Touch and Taste” (c. 1618)

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    art about music, cross-sensory affect, synesthesia, Uncategorized
  • August 10, 2017

    Willy-Nilly Listening

    Though it may not be the most accurate way to describe what I mean, willy-nilly listening captures the random element of how I often encounter music as it accompanies other things. It’s overheard in that loud car that zooms past, it’s background for those TV shows, it’s keeping strangers on the subway at bay by filling headphones, it’s… Continue reading

    attention, listening, listening habits, Uncategorized
  • August 8, 2017

    Curating The Week: The Language Of Flavor, Agnes Martin, The Impact Of Speech On Emotions

    • An article on the language of flavor. “I think of smell as being one of the least objective experiences. Smell enters us. And one of the great virtues of smell is that it is so far removed from language. That makes them difficult to describe, but it also means that we naturally come upon… Continue reading

    Curating The Week, Uncategorized
  • August 7, 2017

    Resonant Thoughts: Robert Barry’s “The Music Of The Future”

    “There is a specific temporality to social media. It is a time of perpetual manufactured crisis, in which we are constantly being prodded, reminded, and cajoled into updating, clicking our approval or disapproval, or merely checking in and registering our presence.” “But if social media constructs its own time, what kind of music would be… Continue reading

    Resonant Thoughts, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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