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brettworks

thinking through music


  • August 17, 2015

    Notes On Musical Popularity And Critical Respect

    On the one hand, music that is popular (though not necessarily critically respected) has earned the affection and admiration of its fans because they have found a use for it. The uses of musics are many–as numerous as music’s endless styles–including using music to show others that you like the same music they do. On the other… Continue reading

    critical respect, popularity
    admiration
  • August 12, 2015

    Curating The Week: On Stagefright, Jeff Porcaro’s Timing, And Futurism In New Dance Music

    1. A New Yorker article about stagefright. “The crux, of course, was the invention of sound recording and then of film, in the late nineteenth century. These things did not create stagefright, but they fostered it, by enabling performers to do their work without having to appear in front of an audience.” 2. An article… Continue reading

    Curating The Week
    invention of sound recording, Jeff Porcaro, Michael McDonald, Tristan Marzeski
  • August 7, 2015

    Notes On A Sample In A Song By Drake

    In 1972 a Miami-based R&B keyboardist and singer-songwriter named Timmy Thomas had a hit song with “Why Can’t We Live Together” which topped the charts and sold several million copies. Two notable things about Thomas’s song are its instrumentation and structure. Alongside Sly and The Family Stone’s “Family Affair”, “Why Can’t We Live Together” was… Continue reading

    comparative listening, drum machines, music reviews, sampling
    Drake, Sly and The Family Stone, Timmy Thomas
  • August 5, 2015

    Notes On An R&B Concert

    We arrived somewhat late into D’Angelo’s set at the Forest Hills Tennis club on a warm early evening in June, but we could hear the bass frequencies from several blocks away. Emerging from the stairwell into section six of what used to be a tennis court felt like entering a party with everyone facing a… Continue reading

    concert reviews, groovology, Uncategorized
  • August 3, 2015

    Curating The Week: Music-Related Stuff Online

    1. An app based on Steve Reich’s “Clapping Music.” “Steve Reich’s Clapping Music is a free game that improves your rhythm by challenging you to play Steve Reich’s ground-breaking work–a piece of music performed entirely by clapping. Tap in time with the constantly shifting pattern, and progress through all of the variations.” 2. A 2011… Continue reading

    acoustic environments, apps, Curating The Week, interviews
  • July 30, 2015

    On The Tour De France And Time

    “Time passed indifferently, barely leaving a trace.” – Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage “For these riders, time is running out.” – Phil Leggett Though the event ended a few days ago, the last few weeks had me watching a lot of Le Tour de France. (I also wrote about Le… Continue reading

    Other musics, perception, time
    Colorless Tsukuru Tazaki, haruki murakami, Le Tour de France, Phil Leggett
  • July 27, 2015

    Four Piano Music

        My new recording Four Piano Music is now available here.       Continue reading

    Uncategorized
    piano music
  • July 23, 2015

    On Street Musicians II

    There is a man in my neighborhood who plays guitar on the street corner each evening in front of an optical shop, next to the Burger King. No one asked him to come here, but one day a few years ago he just appeared. He plays in all seasons—in blizzards, in rain, in the summer… Continue reading

    street music
    acoustic guitar, neighborhood, street music
  • July 22, 2015

    On Street Musicians

    Here and there along my city travels I see musicians playing on the street, offering their sounds for whoever cares to listen. There are guitar-playing singers walking from subway car to car, an accordionist at grand central, the bucket drummer at 49th, the kora bard, and a child playing Beethoven loops while his father looks… Continue reading

    the poetics of music
  • July 16, 2015

    Notes On Musical Touch And Feel

    The other day I was texting a drummer friend of mine about the difference between touch and feel. We were talking about how touch refers to how a musician strikes an instrument and the kind of sound that striking elicits, while feel is one’s rhythmic sense of musical time. My friend—a pretty marvelous drummer with… Continue reading

    musical touch and feel
    rhythmic sense, sense of touch, smooth touch
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Same Walk, Different Music
  • Database: Arovane On Decisive Sources Of Good Musical Ideas
  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research

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