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brettworks

thinking through music


  • June 26, 2025

    Marimbafied 28

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    atelier, attentional arcs, main things and peripherals, marimba
  • June 25, 2025

    Resonant Thoughts: Steve Tupai Francis’ “Kraftwerk’s Computer World” (2022)

    “When composing music together, one member, often Ralf or Karl, would introduce a melodic riff or coda, and the other members of the band would ‘jam’ on their synths for several hours. Florian would focus on altering the texture and sound of the music during these sessions. Once locked into a groove they liked, the… Continue reading

    Resonant Thoughts
  • June 24, 2025

    Brett’s Sound Picks: Biosphere’s “The Way Of Time” (2025)

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    Brett’s Sound Picks
  • June 23, 2025

    Database: Alessandro Baricco on Vibration As Real Experience

    “I will always remember that circular movement of my photography director’s hand, and now I know that what we miss in every digital device, and more in general in the digital world, is that breathing, that waviness, that irregularity. Like a vibration. Was that vibration what we used to call a soul? It’s hard to… Continue reading

    database
  • June 20, 2025

    Music’s Subtle Changes Over Time

    Music is most magical when it creates perceptual sleights of ear and sounds more than the sum of its parts. Something is happening, but you can’t quite figure out how. Subtle changes over time, once noticed, are the meaningful details and clues to organizing principles: beats interlocking into polyrhythm,pitches coalescing into chords,melting timbre-textures,background moving to… Continue reading

    perception, Uncategorized
  • June 19, 2025

    Brett’s Sound Picks: Lorenzo Senni’s “Equilibrium Is Death” (2025)

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    Brett’s Sound Picks
  • June 16, 2025

    Marimbafied 11

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    main things and peripherals, marimba
  • June 13, 2025

    Brett’s Sound Picks: Repetition Repetition’s “Over & Over, Pt. 1” (1984/2025)

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    Brett’s Sound Picks, repetition
  • June 12, 2025

    Curating The Week: The Essay Field, AI and Cooking, Measuring Training

    An essay on the shape of the essay field. “The impact of an essay is how much it changes readers’ thinking multiplied by the importance of the topic. But it’s hard to do well at both. It’s hard to have big new ideas about important topics. So in practice there’s a tradeoff: you can change… Continue reading

    Curating The Week
  • June 11, 2025

    Resonant Thoughts: Philip Ball’s “Patterns in Nature: Why the Natural World Looks the Way It Does” (2016)

    “Perhaps the most curious thing about natural patterns is that they come from a relatively limited palette, recurring at very different size scales and in systems that might seem to have nothing at all in common with one another” (12). “What is a pattern, anyway? We usually think of it as something that repeats again… Continue reading

    Resonant Thoughts
    art, philosophy, physics, science
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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