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brettworks

thinking through music


  • July 23, 2025

    Resonant Thoughts: Thomas de Zengotita’s “Mediated” (2006)

    “Say your car breaks down in the middle of nowhere—the middle of Saskatchewan, say. You have no radio, no cell phone, nothing to read, no gear to fiddle with. You just have to wait. Pretty soon you notice how everything around you just happens to be there. And it just happens to be there in… Continue reading

    mediation
  • July 22, 2025

    Curating The Week: Fake AI Bands, AI’s Effects on Writing and Reading

    • An article on fake AI bands. “The internet has fragmented and flattened subcultures. The Velvet Sundown’s puppeteers present the band’s soft pastiche of genres—psychedelic, folk, indie—as sophisticated fusion, but of course it’s nothing more than a careless smear of stylistic averages. Psychedelic, folk, and indie rock each in their own way have something to… Continue reading

    AI, Curating The Week
    AI, artificial-intelligence, music, technology, writing
  • July 21, 2025

    Piano Pulsations

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    atelier
  • July 18, 2025

    BPM Dubs

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    dub-ish
  • July 17, 2025

    Brett’s Sound Picks: Joep Beving and Maarten Vos’ “Friends Making Music” (2025)

    2025 Continue reading

    Brett’s Sound Picks
  • July 10, 2025

    In Unison

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    atelier
  • July 7, 2025

    Sine Study

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    atelier, Uncategorized
  • July 1, 2025

    Resonant Thoughts: Samuel Arbesman’s “The Magic of Code” (2025)

    “Enchantment and the belief in nonsense never disappeared in our modern scientific age. Similarly, the worlds of enchantment—or really, wonder—and disenchantment have existed alongside each other in the realm of computing. The utilitarian road of staid and corporate coding has always run beside the path walked by those delighted by the marvels of these machines,… Continue reading

    Brett’s Sound Picks
    AI, art, artificial-intelligence, chatgpt, technology
  • June 30, 2025

    HT Dub 8

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    from the archives
  • June 27, 2025

    Same Walk, Different Music

    Martyn Heyne, “The Hall.” Occasionally I revisit the Brett’s Sound Picks playlists to listen to great music that I would have forgotten had I not saved it. In this way, a playlist is a way to externalize one’s memory, a way to remember those sonic details that make a music soar. A fine track from… Continue reading

    Brett’s Sound Picks, delays, time
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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