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brettworks

thinking through music


  • May 20, 2025

    Versa Est

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    Uncategorized
  • May 12, 2025

    Brett’s Sound Picks: Proc Fiskal’s “Canticle Hardposte” (2025)

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    Brett’s Sound Picks
  • May 10, 2025

    Fifth Tuning

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    metallophonology, Uncategorized
  • May 7, 2025

    Curating The Week: AI and The Mind, AI and The Humanities, Enji

    An essay about AI’s effects on our minds. “It’s becoming clear that artificial intelligence can relieve us of the burden of trying and trying again. A.I. systems make it trivially easy to take an existing thing and ask for a new iteration.” “The whole painful cycle of trying, failing, revising, judging, and redoing can be… Continue reading

    Curating The Week
    AI, artificial-intelligence, consciousness, philosophy, technology
  • May 5, 2025

    Brett’s Sound Picks: William Tyler’s “Anima Hotel” (2025)

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    Brett’s Sound Picks, taste
  • May 2, 2025

    Tuned

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    bells, metallophonology
  • April 30, 2025

    Resonant Thoughts: Alex Hutchinson’s “The Explorer’s Gene” (2025)

    “It turns out that minimizing surprise is equivalent to minimizing entropy, which in turn is equivalent to minimizing another mathematical quantity (borrowed from physics) called free energy. In this way, the goal of minimizing surprise explains both perception and action. We act […] in order to ensure that our predictions become self-fulfilling prophecies” (58). “The… Continue reading

    Resonant Thoughts
    consciousness, mental-health, neuroscience, philosophy, science
  • April 29, 2025

    Brett’s Sound Picks: Disiniblud (Rachika Nayar & Nina Keith), “Blue Rags, Raging Wind” (2025)

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    Brett’s Sound Picks
  • April 28, 2025

    Atelier: Sculpture

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    atelier, sensation
  • April 27, 2025

    Notes On Dimensionality: Send-Returns And Footnotes

    (Image: Jason Hise) In music production, a mixing console’s Send and Return system allows for sending an amount of a track’s audio to a separate Return track on which one can apply effects, such as reverb. This effects-processed sound is then returned to the original track and blended with it using the track’s Send control… Continue reading

    dimensionality
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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