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brettworks

thinking through music


  • April 8, 2025

    Resonant Thoughts: Dwarkesh Patel’s “The Scaling Era: An Oral History of AI, 2019–2025” (2025)

    “To get real creativity, you need to search through spaces of possibilities and find these hidden gems. That’s what creativity is. Current language models don’t really do that. They’re mimicking the data. They’re mimicking all the human ingenuity they’ve seen from all these internet data, which are originally derived from humans” (29). – Shane Legg,… Continue reading

    AI, Resonant Thoughts
  • April 7, 2025

    Marimbafied 20 (103 bpm)

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    arpeggios, keyboard music, loops, marimba, mediations, performance
  • April 3, 2025

    Curating The Week: Athletic Training, Work, Elite Cubing, AI Love

    • An essay an athletic training. “The main idea of my training program was that you will become good at whatever it is that you train.” “My training program was very simple and therefore very robust. It was cheap and reliable. Not fancy nor extraordinary. I tried not to involve things that I could not… Continue reading

    Curating The Week
    AI, artificial-intelligence, politics, technology, writing
  • April 1, 2025

    Marimbafied 18

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    Uncategorized
  • March 31, 2025

    Atelier: Bellows 4

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    atelier
  • March 27, 2025

    Database: Kali Malone On Acoustic Instruments’ Incalculable Beauty

    “I love to combine synthesis and acoustic instruments in my work. There’s an incalculable beauty to an acoustic timbre’s organic quality and the human sensibility’s delicate obscurity. There’s also a component in the process of recording acoustic instruments that demands more commitment and clarity from my part, making the whole thing feel more humbling and… Continue reading

    acousticity, database
  • March 26, 2025

    Fragments

    “The most interesting and most elusive questions will be the ones whose answers we must give with every moment of our lives, for their whole duration.”– Agnes Callard, Open Socrates, p. 59 “[Play] “is the crucible of invention and a learning system that mimics the genius of evolution.”– Kelly Clancy, Playing With Reality, p. 10… Continue reading

    fragments
  • March 25, 2025

    Tuned 4

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    Uncategorized
  • March 24, 2025

    Tenebrae

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    atelier
  • March 22, 2025

    Sounding The Week: Whatever The Weather, J.S. Bach, Ævestaden, Flying Lotus, Sarah Davachi

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    sounding the week
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Christian Löffler on Working Quickly and Using Field Recordings
  • Curating the Week: The Additional Touch, Philip Glass’s Music, How to Write a Paper
  • Performance Practice: Lessons from Music for 18 Musicians
  • Resonant Thoughts: James Marriott’s “The New Dark Ages: The Death of Reading and the Dawn of the Post-Literate Society” (2026)
  • 5 October

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