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brettworks

thinking through music


  • February 9, 2019

    On Concepts Out Of Context

    I find myself reading (fiction and non-fiction) whilst on the lookout for interesting standalone phrases. This may say more about what I notice that what the authors wish to highlight, but the phrases are nevertheless concepts to think about. Here’s a few I’ve been pondering:  reverse our usual method   micro-mistakes   obstacles to dynamism  minimal gestures … Continue reading

    concepts, Uncategorized
  • February 8, 2019

    Production Workflows: Working With Call And Response

    A technique which has served me well in composing, when I’m layering one part upon another, is to think in terms of call and response. In most situations, a new part takes shape as I listen to what I already have and try to figure out how to complement that. Keeping in mind the possibility… Continue reading

    Production Stories, Uncategorized, workflow
  • February 7, 2019

    Self-Help Triptych

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    self-help, threes, Uncategorized
  • February 6, 2019

    Brett’s Sound Picks: 36’s “D.R.E.A.M. Link” (2019)

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    Brett’s Sound Picks, Uncategorized
  • February 5, 2019

    Art About Music: Jean-Antoine Watteau’s “Three Views of a Military Drummer” (c. 18th c.)

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    art about music, Uncategorized
  • February 4, 2019

    Production Workflows: From Experimentation To Performance

    Working at the computer, I was trying my best to keep my experimenting and performing separate. I was going through sounds, exploring the endlessly morphing dimensions of the music software, listening and evaluating, reacting and thinking it through. But my impulse is always to get on with something—to build a prototype rather than mull things… Continue reading

    experimentation, music production, performance, Uncategorized
  • February 1, 2019

    Winter Triptych

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    cityscapes, threes, Uncategorized
  • January 31, 2019

    Art About Music: Pierre-Auguste Renoir’s “The Clown” (1868)

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    art about music, Uncategorized
  • January 30, 2019

    Right-Click Thinking

    Attention is like clicking on something to select and focus on it —Click— but thinking is a click and hold to go one step deeper —Option-Click— and then a menu appears of things you can do, choices you have, more options for action. Continue reading

    attention, poetry, Uncategorized
  • January 29, 2019

    Resonant Thoughts: Jane Brox’s “Silence” (2019)

    “‘Silence…stands outside the world of profit and utility,’ wrote Max Picard. ‘It cannot be exploited for profit, you cannot get anything out of it.’ Its relationship to time is far more complex than the simple march of hours allows, and is perhaps, in the end, best likened to fruitfulness. ‘It is not so much the… Continue reading

    Resonant Thoughts, silence, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies
  • 7 August

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