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thinking through music


  • November 19, 2018

    Timing Techniques: Listening Over People, Rhythmically Resisting, And Super Rhythm

    There’s a spot in the show where I have a solo—a moment to set the time for everyone else. The conductor thinks he’s in charge, but no, he’s actually following me in my moment of laying it down, which is simultaneously my moment to test a hypotheses. The hypothesis is this: at some point in… Continue reading

    groovology, musical time, percussion, performance, performance notes, Uncategorized
  • November 16, 2018

    Breakbeat Thinking

    Back in the early 80s the turntablists found the breakdowns the funky bits where the band stops and the rhythms keep running soon the samplers were grabbing hook-textures from old records reinflating the past to pop it in the present it was about finding the rhythm in things the grooves of juxtaposition a well-timed turnaround an accidental… Continue reading

    poetry, Uncategorized
  • November 15, 2018

    Resonant Thoughts: Kodwo Eshun On Listening

    “Sometimes listening to music is more about listening to your own ways of listening, hearing your own ways of hearing. Wondering what you’re hearing. And sometimes you need time to do it, and that’s when the anxiety sets in. Everyone around you says that listening is time-wasting, but you have to remind yourself that listening… Continue reading

    Resonant Thoughts, Uncategorized
  • November 14, 2018

    Brett’s Sound Picks: Hauschka’s “Curious” (2018)

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    Brett’s Sound Picks, Uncategorized
  • November 13, 2018

    Art About Music: Nicolas Regnier’s “Divine Inspiration Of Music” (c. 1640)

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    art about music, Uncategorized
  • November 12, 2018

    On Jon Hopkins At Brooklyn Steel

    I recently went to hear Jon Hopkins perform at Brooklyn Steel, a shoebox-shaped warehouse located on the lonely north edge of Greenpoint, Brooklyn. I only caught the end of the performance, but what I saw was stellar. Hopkins played music from his latest release, Singularity, an album which aims to recreate, in a sort of… Continue reading

    composition, concert reviews, Uncategorized
  • November 9, 2018

    Stolen Music

    In the micro moments when no one notices where nothing matters and how can anything possibly happen your playing is accidental focus not busyness sound caring for a minute— that’s where things begin. Continue reading

    accidental epistemologies, poetry, Uncategorized
  • November 8, 2018

    Resonant Thoughts: Verlyn Klinkenborg’s “Several short sentences about writing” (2013)

    “There’s little actual logic in good writing. There’s a current of thoughts and ideas and observations. Some may be linked by evidence. One point may substantiate or corroborate another. But what passes for logic or argument is usually little more than a succession of ideas Connected mostly by proximity and analogy. Writing doesn’t prove anything.… Continue reading

    Resonant Thoughts, Uncategorized
  • November 7, 2018

    Ventrilo-Dialogue: An Imagined Conversation With Harold Budd

    Tom: Thanks for talking with me today Harold. Budd: Sure. T: I’ve been enjoying your keyboard music for many years and I’m curious to know how you came to your way of playing. You once said in a Red Bull interview,  “I’m not a pianist, any piano player will tell you that…Just take responsibility, it’s… Continue reading

    Uncategorized, ventrilo-dialogue
  • November 6, 2018

    Art About Music: Judith Leyster’s “The Concert” (c. 1663)

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    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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