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thinking through music


  • May 4, 2018

    Curating The Week: Jon Hopkins, David Van Koevering, Making A Pop Hit

    • An interview with Jon Hopkins. “With the program I use now, Ableton, it’s quite easy to imagine how one sound could lead to the birth of another. On the track ‘Feel First Life’, I have a synth sound that gradually morphs into a choral sound. That idea of a 15-part choir appearing out of the fabric… Continue reading

    Curating The Week, Uncategorized
  • May 3, 2018

    Ventrilo-Dialogue: A Conversation Between A Composer And A Remixer

    Composer: I want to talk to you about creativity and the differences between my musical work and yours. Remixer: Sounds good. But already I’m wondering why the differences are so crucial to you? C: For one thing, it’s hard for me to consider what you do as music. R: Ahh. Because I don’t play an… Continue reading

    Uncategorized, ventrilo-dialogue
  • May 2, 2018

    Resonant Thoughts: Ian Bostridge’s “Schubert’s Winter Journey ” (2015)

    “For all of us, unless we’re making a special and determined effort of analysis, our encounter with music is more episodic and even cavalier, less relentlessly theoretical—even when we’re listening to a piece from the great tradition that presents itself as musical argument, a Beethoven symphony for example, or a Bach fugue. Within as diffuse… Continue reading

    Resonant Thoughts, Uncategorized
  • May 1, 2018

    Art About Music: Lenore Tawney’s “Bach” (1967)

    Continue reading

    art about music, Uncategorized
  • April 30, 2018

    Musical Doubt

    doubt – a feeling of uncertainty or lack of conviction “While the theories come and go, the phenomenologies stay.” – Nassim Taleb, Antifragile (2014) When I’m playing music, composing it, or writing about it, a feeling of doubt repeatedly presents itself. Do I really buy what I’m doing? Whether we’re talking about making sounds or… Continue reading

    doubt, Uncategorized, working knowledge
  • April 27, 2018

    Silent Music

    On the moving train wearing headphones I mean to listen to sounds perfectly apropos to the moment wanting to be moved while moving but I forget to hit play. Continue reading

    attention, listening, musical forgetfulness, poetry, Uncategorized
  • April 26, 2018

    Freestyle: Music Aphorisms 5

    Browsing through sound presets in soft synthesizers reminds us that sound designers do not necessarily create sounds that are musical. (Are they musicians?) Our ears relish relations and meaningful patterns in the music more than (merely) attractive sounds. It’s as if the busy hi hat patterns in contemporary hip hop are (desperately) trying to get… Continue reading

    music aphorisms, Uncategorized
  • April 25, 2018

    Resonant Thoughts: Deckle Edge’s “Cræft: An Inquiry Into the Origins and True Meaning of Traditional Crafts

    “Against a rising tide of automation and increasing digital complexity, we are becoming further divorced from the very thing that defines us: we are makers, crafters of things. When our lives once comprised an almost unbroken chain of movements and actions as we interacted physically with the material requirements of our existence, today we stare… Continue reading

    Resonant Thoughts, Uncategorized
  • April 24, 2018

    Art About Music: Jacob Duck’s “Woman With Theorbo Vanitas” (c. 1660)

    Continue reading

    art about music, lutes, Uncategorized
  • April 23, 2018

    The Problem Of Exactitude

    exactitude – not approximate in any way; precise, from the Latin verb exigere – to thoroughly perform The phrase the problem of exactitude occurs to me to describe a kind of left-field situation I encounter regularly when I’m working on music or writing about it. The situation can be described as a tension between my… Continue reading

    Uncategorized, working knowledge
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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