Skip to content
    • about
    • ai in music resources
    • archives
    • art about music
    • atelier
    • books
    • brett’s sound picks
    • database (a cache of perceptions)
    • film
    • interview
    • keywords
    • music
    • thought tools
    • ventrilo-dialogues

brettworks

thinking through music


  • November 8, 2017

    Resonant Thoughts: On Pascal Quignard’s “The Hatred Of Music”

      “Music is what man owes to time” (85). “It is possible that listening to music consists less in distracting be mind from ‘acoustic suffering’ than in struggling to reestablish animal alert. What characterizes harmony is that it resuscitates the acoustic curiosity that is lost as soon as articulated and semantic language spreads within us”… Continue reading

    Resonant Thoughts, Uncategorized
  • November 7, 2017

    On Music Performance As Epistemological Journey

    An idea that has influenced me this past year comes from the writer Geoff Dyer: All the best essays are epistemological journeys from ignorance or curiosity to knowledge. I have mentioned Dyer numerous times on this blog. He’s the author of a remarkable fictionalized non-fiction book about jazz, But Beautiful, and a classic set of… Continue reading

    epistemological journeys, Uncategorized
  • November 6, 2017

    Gould’s Bach

    Gould found music in geography fusing Bach with Canadian North cold weather counterpoint snow blanketed fugues solitary driving as three-part invention the self on wheels and radio hearing in seasons articulate matter. Continue reading

    poetry, Uncategorized
  • November 3, 2017

    Curating The Week: Alan Watts, Jonathan Gold, Kelela

    • Alan Watts makes a musical analogy. • A food critic interviews himself about how he came by his views of a restaurant. “Because [chef] Jordan Kahn is playing with modes of dining that have never before been articulated. Because months after your meal, images and juxtapositions will flash through your thoughts, as vivid as… Continue reading

    Curating The Week, Uncategorized
  • November 2, 2017

    Frustration Music

    Composing fixes the broken sounds and captures out of reach melodies of every desire: distant scores passing arrangements living orchestrations soundtracks for the unheard experience is polyphonic but we sing only one line at a time. Continue reading

    music and frustration, poetry, Uncategorized
  • November 1, 2017

    Visual Culture

    Maybe the Instagrammers are right— a photo’s worth is more than words’ affect shown besting the described colors not letters retro-filtered immediately digested chronicling proof that a selfie’s gift is adoring the present. Continue reading

    poetry, Uncategorized
  • October 31, 2017

    Searches That Brought You Here

    • “Poets wear sombreros.” This search is a reference to a line in one of my favorite Wallace Stevens poems, “Six Significant Landscapes” (1916). The line–which actually reads “rationalists would wear sombreros”–appears at the end of the sixth and final stanza: “Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the… Continue reading

    searches that brought you here, Uncategorized
  • October 30, 2017

    Reset

    In my current work of performing music, perhaps the most useful “secret” for maintaining a high standard of playing is my ability to reset. In my life outside of music, there are very few occasions in need of resetting—at home, there’s pressing the small button on the kitchen thermometer, or unplugging the cable modem now… Continue reading

    percussion, performance, phenomenology, Uncategorized
  • October 27, 2017

    Curating The Week: Arvo Pärt, Taste, Algorithmic Culture

    • A collection of Arvo Pärt quotes. “The artistic reflection of ideas, style, history etc. is indeed a form of game. Art, however, cannot be separated from it. Yet, I did not want to create art. I wanted to free and distance myself from making artificial art. Rather I wanted to combine two different issues;… Continue reading

    algorithmic culture, Curating The Week, Uncategorized
  • October 26, 2017

    Art About Music: Spotify Ad (c. 2008)

    Continue reading

    advertising, art about music, Uncategorized
«Previous Page Next Page»

Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

Subscribe To Brettworks


©

brettworks

2022, All Rights Reserved.

Blog at WordPress.com.

 

Loading Comments...
 

You must be logged in to post a comment.

    • Subscribe Subscribed
      • brettworks
      • Join 744 other subscribers
      • Already have a WordPress.com account? Log in now.
      • brettworks
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar