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thinking through music


  • May 14, 2018

    Music’s Invisibles

      Often when we think about music, we’re thinking about its visibles: the people making it (how they look and self identify, their gender, how they play), the instruments they play (acoustic or electronic? traditional or new? homemade or mass-produced?), and the contexts in which they perform (formal concert hall or the street? the recording… Continue reading

    invisibles, music discourse, musical signification, musical sociality, Uncategorized
  • May 10, 2018

    Sound Leaps

    It’s the space between the marimba bar and its resonator where sound leaps from vibrating wood to metal column one oscillating to another horizontal plane to vertical from here to there the space is just as we do when we listen a leap from being struck by music to being moved by it becoming sound’s wave. Continue reading

    poetry, Uncategorized
  • May 9, 2018

    Brett’s Sound Picks: James Blake’s “If The Car Beside You Moves Ahead” (2018)

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    Brett’s Sound Picks, Uncategorized
  • May 8, 2018

    Art About Music: Charles Landelle’s “Algerian Woman Playing A Darbouka” (c. 1887)

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    art about music, Uncategorized
  • May 7, 2018

    Musical Belief

    belief—an acceptance that a statement is true or something exists Music can’t articulate claims about truth or falsity (can it?), but in its sounds and organization it can ring true or false or somewhere in between. One of the many things we do when we listen is try to figure out if we accept what… Continue reading

    musical belief, Uncategorized
  • May 4, 2018

    Curating The Week: Jon Hopkins, David Van Koevering, Making A Pop Hit

    • An interview with Jon Hopkins. “With the program I use now, Ableton, it’s quite easy to imagine how one sound could lead to the birth of another. On the track ‘Feel First Life’, I have a synth sound that gradually morphs into a choral sound. That idea of a 15-part choir appearing out of the fabric… Continue reading

    Curating The Week, Uncategorized
  • May 3, 2018

    Ventrilo-Dialogue: A Conversation Between A Composer And A Remixer

    Composer: I want to talk to you about creativity and the differences between my musical work and yours. Remixer: Sounds good. But already I’m wondering why the differences are so crucial to you? C: For one thing, it’s hard for me to consider what you do as music. R: Ahh. Because I don’t play an… Continue reading

    Uncategorized, ventrilo-dialogue
  • May 2, 2018

    Resonant Thoughts: Ian Bostridge’s “Schubert’s Winter Journey ” (2015)

    “For all of us, unless we’re making a special and determined effort of analysis, our encounter with music is more episodic and even cavalier, less relentlessly theoretical—even when we’re listening to a piece from the great tradition that presents itself as musical argument, a Beethoven symphony for example, or a Bach fugue. Within as diffuse… Continue reading

    Resonant Thoughts, Uncategorized
  • May 1, 2018

    Art About Music: Lenore Tawney’s “Bach” (1967)

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    art about music, Uncategorized
  • April 30, 2018

    Musical Doubt

    doubt – a feeling of uncertainty or lack of conviction “While the theories come and go, the phenomenologies stay.” – Nassim Taleb, Antifragile (2014) When I’m playing music, composing it, or writing about it, a feeling of doubt repeatedly presents itself. Do I really buy what I’m doing? Whether we’re talking about making sounds or… Continue reading

    doubt, Uncategorized, working knowledge
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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