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thinking through music


  • April 27, 2018

    Silent Music

    On the moving train wearing headphones I mean to listen to sounds perfectly apropos to the moment wanting to be moved while moving but I forget to hit play. Continue reading

    attention, listening, musical forgetfulness, poetry, Uncategorized
  • April 26, 2018

    Freestyle: Music Aphorisms 5

    Browsing through sound presets in soft synthesizers reminds us that sound designers do not necessarily create sounds that are musical. (Are they musicians?) Our ears relish relations and meaningful patterns in the music more than (merely) attractive sounds. It’s as if the busy hi hat patterns in contemporary hip hop are (desperately) trying to get… Continue reading

    music aphorisms, Uncategorized
  • April 25, 2018

    Resonant Thoughts: Deckle Edge’s “Cræft: An Inquiry Into the Origins and True Meaning of Traditional Crafts

    “Against a rising tide of automation and increasing digital complexity, we are becoming further divorced from the very thing that defines us: we are makers, crafters of things. When our lives once comprised an almost unbroken chain of movements and actions as we interacted physically with the material requirements of our existence, today we stare… Continue reading

    Resonant Thoughts, Uncategorized
  • April 24, 2018

    Art About Music: Jacob Duck’s “Woman With Theorbo Vanitas” (c. 1660)

    Continue reading

    art about music, lutes, Uncategorized
  • April 23, 2018

    The Problem Of Exactitude

    exactitude – not approximate in any way; precise, from the Latin verb exigere – to thoroughly perform The phrase the problem of exactitude occurs to me to describe a kind of left-field situation I encounter regularly when I’m working on music or writing about it. The situation can be described as a tension between my… Continue reading

    Uncategorized, working knowledge
  • April 20, 2018

    Searches That Brought You Here

    • Russell Hartenberger Steve Reich. This search brought you to my post on Hartenberger’s stellar book, Performance Practice in the Music Of Steve Reich. In my post I wrote: “As I read Performance Practice I was struck by the similarities between its flow and the gradual unfolding of Reich’s music. The smooth surface of Hartenberger’s… Continue reading

    searches that brought you here, Uncategorized
  • April 19, 2018

    Lessons From Dilla 7: Master A Single Instrument

    Dilla used just a single instrument to make his tracks. Continue reading

    beat programming, groovology, hip hop, lessons from Dilla, Uncategorized
  • April 18, 2018

    Driving Hi Hats

    I noticed the sound while driving flipping through radio stations listening to new york’s hottest hip hop and r & b not from back then but from the edge of right now a soundtrack to the road’s present I keep pursuing over the horizon I noticed the hi hats chattering in double-time sixteenth and thirty-second… Continue reading

    poetry, Uncategorized
  • April 17, 2018

    Art About Music: Lavinia Fontana’s “Self-Portrait At The Spinet” (1577)

    Continue reading

    art about music, keyboard music, Uncategorized
  • April 16, 2018

    Fulcrum

    fulcrum – the point on which a lever pivots; a thing that plays an essential role in an activity (from Latin fulcire “to prop up”) While the implements percussionists use—sticks and mallets and other kinds of beaters—are imperfect constructions, there are ways of holding these implements that feel closer to perfect. The key is finding… Continue reading

    Creativity, ergonomics, flows and feels, fulcrums, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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