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thinking through music


  • September 27, 2017

    Resonant Thoughts: Robert Atwan On Essay Aesthetics 

    In his forward to The Best American Essays (2015), series editor Robert Atwan suggests some stylistic attributes of the essay form. Ideally, essays: • foreground the writing process in the writing itself • allow the author to reject any authoritative posture • are an anti-systematic, anti-rhetorical method of composition • are prose with an unfinished… Continue reading

    Resonant Thoughts, Uncategorized
  • September 26, 2017

    Art About Music: Boethius’ “De institutione musica” (c. 6th century)

    (This is an illustration from a 12th-century copy of Boethius’ De musica. Boethius is depicted on the top left, experimenting with a monochord. Pythagoras is depicted on the top right, experimenting with bell vibrations. On the bottom left is the philosopher Plato, and bottom right, the mathematician Nicomachus.) “A musician is one who has gained… Continue reading

    art about music, Uncategorized
  • September 25, 2017

    Miles Turns His Back

      Miles turns his back on us because his playing isn’t to entertain but for himself on music’s own terms and tells us not to fear mistakes because there are none when you’re making something from nothing so it’s not that he doesn’t care— in playing the horn he cares so much he’s already figured… Continue reading

    poetry, Uncategorized
  • September 22, 2017

    Curating The Week: Facebook, Learning, Reality Distortion 

    • An article about Facebook. (I recommend reading this in its entirety.) “Facebook’s mission used to be ‘making the world more open and connected’. A non-Facebooker reading that is likely to ask: why? Connection is presented as an end in itself, an inherently and automatically good thing. Is it, though?” • An article about Rafael… Continue reading

    Curating The Week, Uncategorized
  • September 21, 2017

    Freestyle: Music Aphorisms

    The louder the music, the harder it is to listen to it. • Music silences verbal thinking, offering it another medium. • Music is vibration’s grand invention. • People are like tuning forks—always catching and matching one another’s vibes. • Big data misunderstands the nature of your musical tastes. • Music playlists are covert forms… Continue reading

    freestyle, music aphorisms, Uncategorized
  • September 20, 2017

    Art About Music: W.F. Ludwig’s “Drum And Cymbal Playing Apparatus” (1909)

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    art about music, Uncategorized
  • September 19, 2017

    Art About Music: Roy Lichtenstein’s “Composition IV (Musical Notes)” (1995)

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    art about music, Uncategorized
  • September 18, 2017

    From Organ and Crotales Music: “Closing”

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    Uncategorized
  • September 14, 2017

    Freestyle: Hearing Steve Reich’s “Mallet Quartet” As NPR Soundtrack Music

    Yesterday, while driving back from buying a shower curtain and an orchid (yes, a strange mix*) I turned on NPR, just catching the tail end of Terry Gross’s Fresh Air. Underneath the news, I noticed the familiar pulsing malletwork of Steve Reich’s music. It was a recent piece from 2013 called Mallet Quartet (Part I,… Continue reading

    freestyle, modernism, NPR, soundtracks, Uncategorized
  • September 13, 2017

    Art About Music: Gary Larson’s “The Far Side” (c. 1982)

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    art about music, minor keys, soundtracks, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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