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thinking through music


  • January 4, 2018

    On Making Beautiful Things

    ‘We make beautiful things’ he thinks, thinking about it means to be a musical maker. ‘The point is not to think but to arrest thinking’ as he fiddles with a sound on a string. ‘Beauty is ever-open to reconfiguration’ the idea accompanying a plucked note. ‘Beauty thrives on analogies’ while listening to the pattern, connecting… Continue reading

    Uncategorized
  • January 3, 2018

    Resonant Thoughts: Agnes Martin On Living By Perception

    Agnes Martin, Friendship (1963) “You see, if you live by perception, as all artists must, then you sometimes have to wait for a long time for your mind to tell you the next step to take.” (“‘What We Make, Is What We Feel’: Agnes Martin on Her Meditative Practice, in 1976” available at artnews) Continue reading

    artists, perception, Resonant Thoughts, Uncategorized
  • January 2, 2018

    Brett’s Sound Picks: Paulstretching A-Ha’s “Take On Me”

    (Paulstretch is software that slows down music to a fraction of its original speed, turning a pop song into a glacial soundscape.) Continue reading

    Brett’s Sound Picks, musical time stretching, Uncategorized
  • January 1, 2018

    Resonant Thoughts: Ray Dalio On Radical Transparency

      “Radical open-mindedness and radical transparency are invaluable for rapid learning and effective change. Learning is the product of a continuous real-time feedback loop in which we make decisions, see their outcomes, and improve our understanding of reality as a result. Being radically open-minded enhances the efficiency of those feedback loops, because it makes what… Continue reading

    radical transparency, Resonant Thoughts, Uncategorized
  • December 29, 2017

    Curating The Week: Harold Budd, Jonathan Franzen, Artificial Voices

    • Another interview with Harold Budd. “‘My preferred way of working at the moment is improvisation, but not just anything,’ Budd says. ‘I want it to be grounded in something that’s feasible, organic and personal. I try to direct it towards specific goals. To make it sound pretty, frankly – if I can use that… Continue reading

    Curating The Week, Uncategorized
  • December 28, 2017

    Art About Music: Nicolaes Maes’ “The Listening Housewife” (1655)

    Continue reading

    Curating The Week, Uncategorized
  • December 27, 2017

    Working Knowledge: A Composer’s Thinking 

    Play for a while— nothing sounds good, this isn’t working (despair). Try again, play for a while— a few moments sounds ok, but this still isn’t working (despair). Realize you’re not listening to what you’re doing— so play again, this time listening to what is, not what isn’t: now you head in a different direction… Continue reading

    Uncategorized, working knowledge
  • December 26, 2017

    Art About Music: Apple’s “iPod” (2001)

      Continue reading

    art about music, Uncategorized
  • December 22, 2017

    Strike & Vibrate

    It’s such an obviously known fact to us that we never talk about it, but musicians have intimate relationships with vibration. Singers vibrate themselves, string and horn players vibrate their intricate wood and metal contraptions through bowing or blowing, pianists press keys that strike the piano’s tuned strings, and so on. Even electronic musicians are attuned… Continue reading

    strike & vibrate, Uncategorized
  • December 21, 2017

    Art About Music: E.K. Adams’ Electric Metronome Patent (1903)

    Continue reading

    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Arovane On Decisive Sources Of Good Musical Ideas
  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies

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