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thinking through music


  • October 3, 2017

    Brett’s Sound Picks: Ben Lukas Boysen’s “Golden Times I”

    The music opens with a rolling triplet piano and ghosting guitar figure that takes the non-obvious harmonic route. There’s a melody now–a violin soaring in the midst of the piano/guitar clouds, and underneath more weather building in electronic bass burble and far away processed percussion. The system grows by cycling around and around, never showing its… Continue reading

    Brett’s Sound Picks, Uncategorized
  • October 2, 2017

    Art About Music: Guido of Arezzo’s “Guidonian Hand” (c. 991-1033)

    (The Guidonian hand was a widely used mnemonic device used to help singers learn to sight-sing. Guido of Arezzo, a medieval music theorist, described a basic form of the hand in his writings, including his Micrologus. The Guidonian hand was the subject of many medieval music treatises and depicted for the first time in the… Continue reading

    art about music, Uncategorized
  • September 29, 2017

    Curating The Week: Speaking, 4’33, Flow

    • Playwright David Mamet on speaking. “People only speak to get something. If I say, Let me tell you a few things about myself, already your defenses go up; you go, Look, I wonder what he wants from me, because no one ever speaks except to obtain an objective. That’s the only reason anyone ever… Continue reading

    Curating The Week, Uncategorized
  • September 28, 2017

    Art About Music: A Lady Playing The Tanpura (c. 1735, Kishangarh, Rajasthan, India)

    (In this image from an atelier in Kishangarh, India in the early eighteenth century, the female entertainer plucks a tempura, a drone instrument used in Indian music.) (Curious about the sound of the tanpura? Go to http://upasani.org/home/Welcome.html).     Continue reading

    Curating The Week, Uncategorized
  • September 27, 2017

    Resonant Thoughts: Robert Atwan On Essay Aesthetics 

    In his forward to The Best American Essays (2015), series editor Robert Atwan suggests some stylistic attributes of the essay form. Ideally, essays: • foreground the writing process in the writing itself • allow the author to reject any authoritative posture • are an anti-systematic, anti-rhetorical method of composition • are prose with an unfinished… Continue reading

    Resonant Thoughts, Uncategorized
  • September 26, 2017

    Art About Music: Boethius’ “De institutione musica” (c. 6th century)

    (This is an illustration from a 12th-century copy of Boethius’ De musica. Boethius is depicted on the top left, experimenting with a monochord. Pythagoras is depicted on the top right, experimenting with bell vibrations. On the bottom left is the philosopher Plato, and bottom right, the mathematician Nicomachus.) “A musician is one who has gained… Continue reading

    art about music, Uncategorized
  • September 25, 2017

    Miles Turns His Back

      Miles turns his back on us because his playing isn’t to entertain but for himself on music’s own terms and tells us not to fear mistakes because there are none when you’re making something from nothing so it’s not that he doesn’t care— in playing the horn he cares so much he’s already figured… Continue reading

    poetry, Uncategorized
  • September 22, 2017

    Curating The Week: Facebook, Learning, Reality Distortion 

    • An article about Facebook. (I recommend reading this in its entirety.) “Facebook’s mission used to be ‘making the world more open and connected’. A non-Facebooker reading that is likely to ask: why? Connection is presented as an end in itself, an inherently and automatically good thing. Is it, though?” • An article about Rafael… Continue reading

    Curating The Week, Uncategorized
  • September 21, 2017

    Freestyle: Music Aphorisms

    The louder the music, the harder it is to listen to it. • Music silences verbal thinking, offering it another medium. • Music is vibration’s grand invention. • People are like tuning forks—always catching and matching one another’s vibes. • Big data misunderstands the nature of your musical tastes. • Music playlists are covert forms… Continue reading

    freestyle, music aphorisms, Uncategorized
  • September 20, 2017

    Art About Music: W.F. Ludwig’s “Drum And Cymbal Playing Apparatus” (1909)

    Continue reading

    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Arovane On Decisive Sources Of Good Musical Ideas
  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies

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