Curating The Week
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Curating The Week: Repetition and Writing, Brian Eno, Rock Music And White Nostalgia
• An article by George Saunders about the repetition of the writing process. “How, then, to proceed? My method is: I imagine a meter mounted in my forehead, with ‘P’ on this side (‘Positive’) and ‘N’ on this side (‘Negative’). I try to read what I’ve written uninflectedly, the way a first-time reader might (‘without… Continue reading
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Curating The Week: The Neuroscience Of Rhythm, Rhythmical Line Drawings, Music & AI
• An article on the neuroscience of rhythm. “A team of neuroscientists has found that people are biased toward hearing and producing rhythms composed of simple integer ratios — for example, a series of four beats separated by equal time intervals (forming a 1:1:1 ratio). This holds true for musicians and nonmusicians living in the… Continue reading
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Curating The Week: Sound Meditation, Steve Reich’s “Come Out”, Polyrhythmic Electronic Music
• An article about sound meditation. “There are sound meditation practitioners who are innovating, using synthesizers to help create a sound bath.” • An article about Steve Reich’s “Come Out.” “Made in an era of mind-altering music and electronic effects, Come Out stands as psychedelic in its purest sense, finding something hallucinatory in the most basic… Continue reading
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Curating The Week: John Berger, The ‘Pop-Drop’ Sound, Clapping On The Off-Beats
• An interview with John Berger (1926-2017). “The primary thing wasn’t to say whether a work was good or bad; it was rather to look and try to discover the stories within it. There was always this connection between art and all the other things that were happening in the world at the time, many of… Continue reading
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Curating The Week: Silent How To Videos, Imagery From Sound, The Psychology of Time Perception
• An article about the Primitive Technology videos on YouTube. “For all the virtuosic craftsmanship on display in these YouTube videos, the real draw may be the absorbing peace of watching a man go about his work…The videos are virtually silent, for one thing—no talking, no explaining—so the only sound is ambient: the rustle of… Continue reading
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Curating The Week: Questioning Mindfulness, Autechre, Tanya Tagaq
• An article questioning mindfulness. “Despite many grand claims, the scientific evidence in favor of the Moment’s being the key to contentment is surprisingly weak. When the United States Agency for Healthcare Research and Quality conducted an enormous meta-analysis of over 18,000 separate studies on meditation and mindfulness techniques, the results were underwhelming at best.” •… Continue reading
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Curating The Week: Deep Listening, Interpolation in Pop, Musical Repetition
• A brief talk by Pauline Oliveros (1932-2016) about deep listening. “We had to respect the sound that was coming to us from the cistern walls and include it in our musical sensibility.” “To listen is to pay attention to what is perceived, both acoustically and psychologically.” • An article about interpolation in pop music.… Continue reading
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Curating The Week: An Alva Noto-Ryuichi Sakamoto Duet, Lorenzo Senni, Acoustic Prisms
• A video of Alva Noto and Ryuichi Sakamato making music with singing bowls, crotales, and electronics. • An article on producer Lorenzo Senni. “Senni’s handling of sound stems from his university days in Bologna. ‘My studies were theoretical’, he says. ‘I wasn’t studying notes or how to play piano, I did this myself,… Continue reading
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Curating The Week: New Age Music, Sahel Sounds, Black Lives Matter Music
• An article about the resurgence of New Age Music. “Interest in mindfulness practices such as yoga and meditation have become more popular with younger audiences…Vintage new age music from the 1970s and 1980s continues its process of rediscovery, possibly without the baggage that originally surrounded it the first time around.” •The trailer for the… Continue reading
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Curating The Week: The Politics Of Listening, Fake Musical Personas, Twitter
• An article about the effect of one’s political orientation on one’s music preferences. “Where conservatives prize ‘security and conformity,’ liberals value ‘self-expression and stimulation.’ With regard to artistic tastes conservatives generally favor familiar works, predictability, and ‘simplicity and realism,’ liberals, in contrast, prefer novelty, and ‘complexity and abstractions.’ Of the two groups, conservatives ‘have stronger… Continue reading

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