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brettworks

thinking through music


  • February 23, 2018

    Curating The Week: Leftfield Dub, The Secret Happy Chord, Ambient Music At 40

    • An article on leftfield dub. “Certain operators in the electronic diaspora can be found exploring dub studio practices to create idiosyncratic music that feels inherently spawned from the heritage of soundsystem music without adhering to any particular rules.” • An article on the “secret” chord for songs that sounds happy. “Unexpectedly, [the researchers] found… Continue reading

    Curating The Week, Uncategorized
  • February 22, 2018

    Step Sequenced

    The repeating sequence has a fixed number of steps that return again and again a sixteen beat cycle, one measure of time downbeats—1, 5, 9, 13—on the kick backbeats—3, 7, 11, 15—on the snare offbeats—2, 4, 6, 8, 10, 12, 14, and 16—on the hats the groove locked tempo steady rhythms measured a repeating sequence… Continue reading

    poetry, Uncategorized
  • February 21, 2018

    Brett’s Sound Picks: Jim Copperthwaite’s “The Dancers”

    (This would be the moving theme song for an enchanting movie in which everything is not what it seems…)   Continue reading

    Brett’s Sound Picks, Uncategorized
  • February 20, 2018

    Art About Music: William Merritt Chase’s “The Song” (1907)

    Continue reading

    art about music, Uncategorized
  • February 19, 2018

    Flip

    Whether you’re a performer or a listener, when you’re involved in music you’re flipping your attention all the time, orienting it from one place to another, focusing on something near or far, just past or maybe about to happen, from the sounds to your emotions and then back to the sounds, in a repeating feedback… Continue reading

    perception, Uncategorized
  • February 16, 2018

    Curating The Week: Music Improvisation Documentaries, Walking And Creativity, Universals In Music

    • On The Edge, an awesome four-part BBC series on improvisation written by Derek Bailey (1930-2005) that surveys a range of music making. • An article about waking and creativity. “What is it about walking, in particular, that makes it so amenable to thinking and writing? The answer begins with changes to our chemistry.” •… Continue reading

    Curating The Week, Uncategorized
  • February 15, 2018

    Reluctant Synthesist

    Music’s a synthesist connector of modules and patch cords running feelings through waveforms through filters echo-reverbs delays a musical system, a mix, an oscillating life. Continue reading

    poetry, Uncategorized
  • February 14, 2018

    Brett’s Sound Picks: Dominique Lawalree’s “Listen to the Quiet Voice” (c. 1978-1982)

    (Musical rigor wrapped in simplicity.) Continue reading

    Brett’s Sound Picks, Uncategorized
  • February 13, 2018

    Art About Music: Georges de la Tour’s “The Musicians’ Brawl” (c. 1625-1630)

    Continue reading

    art about music, Uncategorized
  • February 12, 2018

    Letting Go

    One of the most important questions any maker of things addresses in their work is How do I know then the work is done? I have worked on projects that were completed in a few minutes, as well as on projects that have stretched over years of on and off tinkering. But no matter how… Continue reading

    Uncategorized, working knowledge
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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