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brettworks

thinking through music


  • October 31, 2017

    Searches That Brought You Here

    • “Poets wear sombreros.” This search is a reference to a line in one of my favorite Wallace Stevens poems, “Six Significant Landscapes” (1916). The line–which actually reads “rationalists would wear sombreros”–appears at the end of the sixth and final stanza: “Rationalists, wearing square hats, Think, in square rooms, Looking at the floor, Looking at the… Continue reading

    searches that brought you here, Uncategorized
  • October 30, 2017

    Reset

    In my current work of performing music, perhaps the most useful “secret” for maintaining a high standard of playing is my ability to reset. In my life outside of music, there are very few occasions in need of resetting—at home, there’s pressing the small button on the kitchen thermometer, or unplugging the cable modem now… Continue reading

    percussion, performance, phenomenology, Uncategorized
  • October 27, 2017

    Curating The Week: Arvo Pärt, Taste, Algorithmic Culture

    • A collection of Arvo Pärt quotes. “The artistic reflection of ideas, style, history etc. is indeed a form of game. Art, however, cannot be separated from it. Yet, I did not want to create art. I wanted to free and distance myself from making artificial art. Rather I wanted to combine two different issues;… Continue reading

    algorithmic culture, Curating The Week, Uncategorized
  • October 26, 2017

    Art About Music: Spotify Ad (c. 2008)

    Continue reading

    advertising, art about music, Uncategorized
  • October 25, 2017

    (parenthetical post)

    (What do you want this blog to accomplish? I’m not sure it has any practical applications, but it has something to do with exploring creativity, cultivating risk-taking, and practicing the habit of sharing. Who is your audience? Not sure, though some of the followers I do know personally. Do you ‘own your product category’? That’s… Continue reading

    (parenthetical posts), Uncategorized
  • October 24, 2017

    Art About Music: Johannes Vermeer’s “The Music Lesson” (c. 1662–1665)

    Continue reading

    art about music, Uncategorized
  • October 23, 2017

    Resonant Thoughts: Johann Joseph Fux’s “The Study of Counterpoint” (1725)

    “You must try to remember whether even in childhood you felt a strong natural inclination to this art and whether you were deeply moved by the beauty of concords.” – Johann Joseph Fux, The Study of Counterpoint (1725) Continue reading

    Resonant Thoughts, Uncategorized
  • October 20, 2017

    Curating The Week: The Necks, Algorithms And Creativity, Technology and Perception

    • An article about The Necks by one of my favorite writers on music, Geoff Dyer. “Impatience prevents you from seeing—hearing—that what you are waiting for is already happening (not a bad test-definition of the avant-garde). But there is scope for anxiety on behalf of the participating listener, because the gathering intensity is underwritten by… Continue reading

    Curating The Week, perception, Uncategorized
  • October 19, 2017

    Resonant Thoughts: Gerhard Richter On Art

    “Art is not a substitute religion: it is a religion (in the true sense of the word: ‘binding back’, ‘binding’ to the unknowable, transcending reason, transcendent being).” – Notes, 1964-65 • “Art is the highest form of hope.” – Text for catalog of documents 7, Kassel, 1982 • Question: And what is it that connects… Continue reading

    Resonant Thoughts, Uncategorized
  • October 18, 2017

    Art About Music: Schematic For The Grateful Dead’s “Wall Of Sound” (c. 1974)

    (The system could put out 28,000 watts of sound. To learn more about it: https://motherboard.vice.com/en_us/article/wnnayb/the-wall-of-sound). Continue reading

    art about music, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Arovane On Decisive Sources Of Good Musical Ideas
  • Musical Ideas
  • 2 September
  • Curating the Week: Juggling, Music Teachers, Writing, Tacit Knowledge in Research
  • 8000 Studies

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