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thinking through music


  • October 18, 2017

    Art About Music: Schematic For The Grateful Dead’s “Wall Of Sound” (c. 1974)

    (The system could put out 28,000 watts of sound. To learn more about it: https://motherboard.vice.com/en_us/article/wnnayb/the-wall-of-sound). Continue reading

    art about music, Uncategorized
  • October 17, 2017

    Elvis Discusses Atonality

    Continue reading

    atonality, music discourse, Uncategorized
  • October 16, 2017

    Resonant Thoughts: Peter Matthiessen’s “The Snow Leopard”

    “Not change, but transformation.” – Peter Matthiessen, The Snow Leopard, p. 15 Continue reading

    Resonant Thoughts, Uncategorized
  • October 13, 2017

    Curating The Week: John McPhee, Ben Ratliff, Charring Wood

    • More structural advice from John McPhee. “Much of McPhee’s work sits at some thrilling intersection of short story, essay, documentary, field research and epic poem…He gathers every single scrap of reporting on a given project — every interview, description, stray thought and research tidbit — and types all of it into his computer. He… Continue reading

    Curating The Week, Uncategorized
  • October 12, 2017

    On Closed and Open Musics, Or Change Versus Transformation: Toggling Between Arovane and Autechre 

    One day in 1999 I walked into (the now closed) Kim’s Music and Video in the East Village and listened to some CDs at one of their listening stations. (Remember CDs? Remember listening stations? Remember record stores?) I liked this German IDM artist Arovane (Uwe Zahn) because his music was melodic and had unusual chords.… Continue reading

    change and transformation, closed and open musics, toggling, Uncategorized
  • October 11, 2017

    Resonant Thoughts: Franklin Foer’s “World Without Mind”

    “The contemplative life remains freely available to us though our choices—what we read and buy, how we commit to leisure and self-improvement, the passing over of empty temptation, our preservation of the quiet spaces, and intentional striving to become the masters of our mastery.”* – Franklin Foer, World Without Mind (2017), p. 232 (*In his… Continue reading

    Resonant Thoughts, Uncategorized
  • October 10, 2017

    Autechre Trust Their Code

    Autechre trust their code more than their biological machines to make unsounded sounds ahead of culture beyond your opinion at home in concert darkness pushing your senses for sixty minutes of imagining how much more music can be. Continue reading

    poetry, Uncategorized
  • October 9, 2017

    Three Assumptions About Creating Things

    That you or I or anyone else have to like it. That its value depends on our liking it. That its value depends on its being useful. Continue reading

    Uncategorized
  • October 6, 2017

    Curating The Week: Awesomeness, Information Bottleneck, Music Apps

    • The philosophy of awesomeness. “I arrived at the view that being awesome is being good at creating ‘social openings’—moments of mutual appreciation between people when they break out of their norms and routines by expressing their individuality in a way that gets others to express theirs. Someone sucks when they reject a social opening… Continue reading

    Curating The Week, Uncategorized
  • October 5, 2017

    Trusting Music

    Once in a while when the music plays I have the sensation beyond the notes of being guided towards giving up my sense of direction leaving the navigation to the composer who has a plan for reminding me how to follow not lead believe in the gesture as if an unspoken lesson is that listening… Continue reading

    poetry, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Database: Clark on Zero Expectations and the Actual Idea
  • Fine-Tuning
  • Suspiramus
  • Database: Burial on the Impression of the Drums
  • My Favorite Things: Running Gear

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