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brettworks

thinking through music


  • December 4, 2017

    Art About Music: Emperor Huizong’s “Listen To The Qin” (c. 1082-1135)

    Continue reading

    art about music, Uncategorized
  • December 3, 2017

    Music for Marimbas and Vibraphones

    Music for Marimbas and Vibraphones Stream the music and follow me on Spotify. Continue reading

    marimba, percussion, shameless plugs
  • December 2, 2017

    Curating The Week: Creativity, Colleen, Kodwo Eshun

    • A short video about creativity versus conformity. • An interview with musician Colleen. “Stone carving taught me that the important thing is to work. My teacher started her day at eight. She worked in a very small garden in suburban Paris. No computer, no internet, nothing. I thought, This is how you get things… Continue reading

    Curating The Week, Uncategorized
  • December 1, 2017

    Resonant Thoughts: Four Suggestions For Creativity In “The Runaway Species”

    In their exceptionally readable book, The Runaway Species (2017), David Eagleman and Anthony Brandt offer four suggestions for cultivating creativity: • Don’t glue down the pieces. “We don’t just set out to improve imperfection—we also tamper with things that seem perfect” (134). • Proliferate options. “When the brain proliferates options, it gets off the path of least… Continue reading

    Resonant Thoughts, Uncategorized
  • November 30, 2017

    Art About Music: Katsushika Hokusai’s “Three Women Playing Musical Instruments” (1844)

    Continue reading

    art about music, Uncategorized
  • November 29, 2017

    Traces

    trace – a mark, object, or other indication of the existence or passing of something Music is a space-generator, and one of the unexpected gifts of being a musician is that making music generates a space in which to think about it. When I play I’m usually thinking about several things at once, including moment-to-moment… Continue reading

    attention, perception, performance notes, Uncategorized
  • November 28, 2017

    Between Knowing And Not Knowing: On Sonic Grey Spaces

    I love those listening to music moments when I hear something between what I already know and what I don’t yet know that surprises and invigorates me. These moments can happen anywhere, but often than not I find them in polyrhythms: in inherent rhythms in polyphony or in dazzling chords and harmonic strata •º•º With… Continue reading

    sonic grey spaces, Uncategorized
  • November 27, 2017

    Resonant Thoughts: Thomas Clifton’s “Music As Heard” (1983)

    “The theoretical act involves ‘observing the self observing the music’ (37). “The logic and sense of music are different from the logic of propositions” (71-72). “Before becoming a cultural artifact, a style, or an object of study, music is a presence” (80). “But to inhabit the world of music, it is necessary to be able… Continue reading

    phenomenology, Uncategorized
  • November 24, 2017

    Busker

    Think of a song as a mind-expander, a drug for losing yourself through its insistent propositions maybe that’s the thinking of the subway guitar guy who plays “Fast Car” each night choosing just the first bit that sounds like African kora looping around and around setting up what’s to come it’s so catchy but he never goes… Continue reading

    poetry, Uncategorized
  • November 23, 2017

    Resonant Thoughts: Rebecca Tuhus-Dubrow’s “Portable Stereo” (2017)

      “Listening to music on a smartphone is not like listening to music on a Walkman. Again, the phone’s functions undermines one another. We are perennially subject to interruptions and temptations. Dead time—waiting for the bus, waiting in line, and so on—is filled by checking Facebook instead of letting our minds wander. While the Walkman… Continue reading

    Resonant Thoughts, Uncategorized
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Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University. He is the author of Principles of Electronic Music Production and The Creative Electronic Music Producer, a book described by Sound On Sound magazine as “a deep philosophical analysis of the various creative inspirations, ideas and processes involved in producing electronic music.” His essays have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas has played percussion on Broadway since 1997 and writes about music at brettworks.com.

Recent Posts

  • Art About Music: “When Is That Young Man Going Home?” (1931)
  • Curating The Week: Freedom, Exceptionalism, Finishing
  • Curating The Archive: Of Slow Voices (5.2.2022)
  • Database: Laura Cannell On The Mechanics Of Acoustic Instruments, Improvising, And Simple Motifs
  • Omni 128 bpm

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